Criticism/Theory First Edition Paperback 243 pages 20 x 14 cm Texts in English   Normal used condition       EUR 40 out of stock

Hal Foster, Recodings: Art, Spectacle, Cultural Politics, Bay Press, 1985

For the past few decades Hal Foster’s critical gaze has encompassed the increasingly complex machinery of the culture industry. His observations push the boundaries of cultural criticism to establish a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. Recodings has become the classic “primer in poststructuralist debate” (Village Voice). The essays present a constellation of concerns about the limits and myths of postmodernism, the uses and abuses of historicism, the connections of recent art and architecture with media spectacle and institutional power, and the transformations of the avant garde and of cultural politics generally.

Comics First Edition Hardcover 92 pages 18 x 14 cm Texts in English   Normal used condition       EUR 35 out of stock

Hal Foster, The Minks' Cry, Bay Press, 1982

Children book by Hal Foster, with picture by Milo Mottola

Bay Press is the most significant independent press in Seattle's history. The only local rival to Bay Press may be Fantagraphics Books, which has been publishing comics and graphic novels from its offices in Lake City since 1976.
Bay Press was born in New York City, when Thatcher decided to publish Hal Foster's book, A Mink's Cry, a children's story.

"And then," Thatcher says, "Hal had this other idea." That idea was the book The Anti-Aesthetic: Essays on Postmodern Culture. "The children's book," explains Hal Foster, "was more of a lark. I mean, I think he [Thatcher] wanted to get into publishing, and it was an easy enough first book to attempt. I'm very grateful that he did it, but it's funny, I don't think many people know that I ever did a kids' book."

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