Exhibition catalogue First Edition Softcover 65 pages 26 x 17 cm Texts in English   New       EUR 10 out of stock

Sara Martinetti, The Stuff That Matters. Textiles collected by Seth Siegelaub for the CSROT, Raven Row, 2012

Exhibition catalogue published on the occasion of The Stuff That Matters. Textiles collected by Seth Siegelaub for the CSROT, at Raven Row, London, from March 1 to May 6, 2012. The publication contains a survey of the rise and fall of the silk industry in Spitalfields, an interview with Seth Siegelaub and an essay on his bibliographic practice as well as a chronology retracing his manifold activities. The exhibition is curated by Sara Martinetti, Alice Motard and Alex Sainsbury, and is designed by 6a architects.

Seth Siegelaub was born in the Bronx in 1941. After running his own gallery in New York from 1964 to 1966, he played a pivotal role in the emergence of what became known as Conceptual Art, which resulted in a series of 21 art exhibitions in groundbreaking formats he organised between 1968 and 1971. In 1972 he left the art world and moved to Paris, where he published and collected leftist books on communication and culture and founded the International Mass Media Research Center. In the early eighties he began collecting textiles and books about textiles, and in 1986 founded the Center for Social Research on Old Textiles, which conducts research on the social history of hand-woven textiles. In 1997 he edited and published the Bibliographica Textilia Historiae, the first general bibliography on the history of textiles, which has since grown online to over 9,000 entries.

Monograph First Edition Softcover 215 pages 22 x 15 cm Texts in English   New       EUR 24 ORDER

Larry Johnson, Commie Pinko Guy, Raven Row, Koenig Books, 2015

Edited by Bruce Hainley, Commie Pinko Guy is the first European monograph devoted to the photo-based work of artist Larry Johnson (born 1959, Long Beach, California).

Alongside numerous colour illustrations of Johnson’s artworks spanning his career from the early 1980s to the present, the book also includes images specially selected by the artist from his personal archives and other sources. Among these are photographs by Mel Roberts and from the Athletic Model Guild. This rich visual selection provides a unique perspective on Johnson’s personal connections to queer history, the city of Los Angeles – where he has lived all his life – and to American politics.

With essays by Morgan Fisher, Bruce Hainley, Antony Hudek, Wayne Koestenbaum and Lisa Lapinski, as well as reprints of texts by Pleasant Gehman, James McCourt, Boyd McDonald and Duncan Smith.

 

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