Criticism/Theory, Monograph First Edition Softcover 1500 pages Texts in French   Very good condition       EUR 180 ORDER

Daniel Buren, Les Écrits (1965-1990), CAPC, 1991

"En 1985 le capc Musée d'art contemporain de Bordeaux prit la décision de publier les écrits complets de Daniel Buren. Le travail s'est engagé avec l'ambition quelque peu déraisonnable de viser à l'exhaustivité. Le musée et Daniel Buren en ont accepté l'enjeu car il ne s'agissait pas d'assouvir quelque besoin de compilation maniaque, mais de donner à comprendre comment s'étaient écrits et dits au jour le jour, à côté ou autour du travail proprement esthétique, un discours et des textes dont la fonction s'est avérée indispensable." (extrait de la préface du livre par Jean-Marc Poinsot).

Textes réunis et présentés par Jean-Marc Poinsot. Publication préparée par Marc Sanchez. En trois volumes. Tome I : 1965-1976 ; Tome II : 1977-1983 ; Tome III : 1984-1990.

Exhibition catalogue First Edition Softcover 88 pages 28 x 22 cm Texts in English   Good condition       EUR 72 ORDER

Haim Steinbach, Recent Works, CAPC, 1988

Catalogue published on the occasion of the exhibition Haim Steinbach at CAPC, Bordeaux, December 9, 1988 to February 26, 1989.

With texts by Jean-Louis Froment, Germano Celant, Elisabeth Lebovici and John Miller.

Soft cover, perfect binding 324 pages 30 x 21 cm Texts in French / English   New       EUR 45 ORDER

Michael Krebber, Les escargots ridiculisés, CAPC, 2012

Michael Krebber (born 1954, lives and works in Cologne) is currently considered to be one of the most emblematic personalities of the international contemporary art scene. Having had a major influence on the art scene in Cologne during the 80's and 90's and ever since, Michael Krebber has a conceptual approach to painting that he explores beyond all pictorial conventions. His practice is marked by ambivalence, subversion, intransigence, and a feigned body language. Krebber is a dandy painter. 
Although he appears to be a discreet character, both perplexed and ambivalent about the very nature of his practice, he nevertheless remains an influential first-class smuggler into the world of art on both the theoretical and economic levels. The dialogue that he maintains with his students at the Staatliche Hochschule in Frankfurt, sets him up as a “literary character,” the implementer of his very own process, which has fascinated the emerging generation.

Published on the occasion of the retrospective of Michael Krebber at CAPC, Bordeaux, in 2012-2013

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