Oriol Vilanova, Without Distinction, &: nathalie et christophe daviet-thery éditions, 2016
In his practice, Oriol Vilanova investigates the characteristics of men and cultures. This investigation is also key in an extensive collection of postcards he has been collecting for years on flea markets and that he regularly uses as a starting point of his works. Chance, repetition and exaggeration often return in his minimal installations, performances and texts.
In M Vilanova focuses on the act of exhibiting. He explores how museums show artifacts in images on postcards or through exhibition devices such as showcases and plinths. What stories do they tell? And does this also create at the same time a certain distance towards an audience?
“Museums generally use display cases as a neutral presentation format that is pushed into the background, so that full justice is done to the objects they contain. In the pictures, they are shown for what they are, an arrangement of display cases from different museums and institutions from Belgium.” (Oriol Vilanova)
Starting from the art collection of the museum M in Leuven, Vilanova reflects on the art of exhibiting and explores display modes from showcases to postcards. Published following the exhibition “At first sight” at M – Museum Leuven, from March 18 to June 5, 2016. Edited by Alice Dusapin.
Christophe Daviet-Thery, Jérôme Saint-Loubert Bié, Bibliothèque d'un amateur. Richard Prince's Publications 1981-2014, &: nathalie et christophe daviet-thery éditions, 2013
Catalogue of the eponymous exhibition organized by Chistophe Daviet Thery at Palazzo Collicola Arti Visive, Spoleto, June 23 - August 26, 2012; at Christophe Daviet Thery bookshop, Paris, October 26 - December 20, 2012; at APNews, Zurich, May 10 - June 20, 2013.
Edited by Christophe Daviet Thery and Jérôme Saint-Loubert Bié, with essays by Vincent Pécoil and Yann Sérandour.