Bootleg Staple-bound 95 pages Texts in English         EUR 15 out of stock

Ramaya Tegegne, Make Your Own Life: Artists In & Out of Cologne, 2014

Bootleg of the catalogue for the 2006 exhibition curated by Bennett Simpson at the ICA Philadelphia, which brought together over twenty-five artists of three generations—centering from Cologne but also including Los Angeles, New York, London, and Berlin—to explore themes of autonomy, artistic collectivity and social relationships, and the privileging of the artist's life and context as a basis for understanding creative practice. 
 
In the 1980s and early-90s, the German city of Cologne was one of the most important centers for contemporary art in Europe, if not the world. With its many galleries, artist run-spaces, and artist bars, the city assumed a kind of mythological dimension, a place where artists came to show, sell, socialize, and distinguish themselves and their work on levels symbolic and real. The open question of how one makes one's art in relation to a set of communities, histories, market conditions and social attitudes was at the core of the Cologne scene. It was fiercely debated, dramatized in exaggerated behavior, art works and exhibitions alike, and it contributed greatly to the impression that Cologne was a place of extreme self-consciousness and audacity.
 
Featuring Bernadette Corporation, Cosima von Bonin, Merlin Carpenter, Stephan Dillemuth, Michaela Eichwald, Andrea Fraser, Kim Gordon, Charline von Heyl, Gareth James, Mike Kelley, Martin Kippenberger, Jutta Koether, Michael Krebber, Louise Lawler, Hans-Jorg Mayer, Lucy McKenzie, Nils Norman, Albert Oehlen, Christian Philipp Muller, Stephen Prina, Josephine Pryde, Blake Rayne, Reena Spaulings, Josef Strau, Rosemarie Trockel, Filmgruppe West, Christopher Williams, and Christopher Wool, among others. 

Bootleg produced on the occasion of Ramaya Tegegne – Respektive at Marbriers 4, Geneva.

Criticism/Theory First Edition Paperback 182 pages 19 x 12 cm Texts in English   New       EUR 18 ORDER

Kim Gordon, Is It My Body? Selected Texts, Sternberg Press, 2014

Throughout the 1980s and early ’90s, Kim Gordon—widely known as a founding member of the influential band Sonic Youth—produced a series of writings on art and music. Ranging from neo-Conceptual artworks to broader forms of cultural criticism, these rare texts are brought together in this volume for the first time, placing Gordon’s writing within the context of the artist-critics of her generation, including Mike Kelley, John Miller, and Dan Graham. In addressing key stakes within contemporary art, architecture, music, and the performance of male and female gender roles, Gordon provides a prescient analysis of such figures as Kelley, Glenn Branca, Rhys Chatham, Tony Oursler, and Raymond Pettibon, in addition to reflecting on her own position as a woman on stage. The result—Is It My Body?—is a collection that feels as timely now as when it was written. This volume additionally features a conversation between Gordon and Jutta Koether, in which they discuss their collaborations in art, music, and performance. 
 
Edited by Branden W. Joseph

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