Yona Friedman, Voyage au pays des licornes, Semiose, 2017
Lorsque l'artiste et architecte Yona Friedman veut raconter des histoires ou se faire comprendre, il privilégie le dessin et son merveilleux langage universel. Pour sa petite-fille, il a dessiné un conte qui décrit le pays des licornes, un lieu idéal et harmonieux, un monde dans lequel on rêverait d'habiter. Grâce à ce guide-histoire-à-colorier, les us et coutumes des licornes sont à la portée de tous les voyageurs... de l'imaginaire ! 2 à 7 ans
Tarik Hayward, Indian Inkjet, Oraibi, Mcb-a, 2018
Réalisé à l’occasion de l’exposition Neutral Density de Tarik Hayward au Musée cantonal des Beaux-Arts de Lausanne en 2017, Indian Inkjet est le résultat d'une année de production d'un livre - depuis sa conception jusqu'à son impression - par l'artiste lui-même. Chaque exemplaire est un objet unique réalisé dans une imprimerie autonome mise en place dans l’atelier. Grâce à des logiciels pirate, l’artiste a détourné des imprimantes de leur obsolescence programmée, les alimentant par des bidons d’encre à l’aide de tuyaux.
Né à Ibiza, Tarik Hayward vit à la Vallée de Joux. Il conçoit son travail comme: « une série d’expériences techniques réalisées dans l’urgence d’un besoin non défini ».
--
Produced for the Neutral Density art show at the Musée cantonal des Beaux-Arts in Lausanne in 2017, Indian Inkjet is the result of the one-year process to produce a book - from its conception to its printing - by the artist himself. Every copy is a unique item made in an autonomous printing house set up in the workshop. Thanks to hacked software, the artist hijacked printers from their planned obsolescence, feeding them with tubes dipped in cans of ink.
Born in Ibiza, Tarik Hayward lives in la Vallée de Joux. He conceives his work as « a series of technical experiments made in the urgency of an undefined need ».
Maximage, Chandigarh Furniture, Villette Édition, 2014
"Years later, some Indian scientists scouting for new settlement locations, flew over the area and spotted the remains of the huge concrete statue of a hand that seemed to be trying to reach out at them through the dense vegetation engulfing it.“
Concept: David Keshavjee, Andreas Koller, Guy Meldem.
Designed in India and printed on hand-made paper from Pondicherry.
Jean-Michel Wicker, e industrial, Donlon Books, Motto Books, 2014
Published on the occasion of Jean-Michel Wicker's exhibition e industrial, at Cubitt, London, 29 August – 28 September 2014.
jmxmage, 2012
jmxmage: Jean-Michel Wicker + Maximage
edition of 50 unique copies, signed and numbered
single-prints on offset press, Berlin 2012
170 x 240 mm, 32 pages
245 x 340 mm, 16 pages
495 x 170 mm, 16 pages
345 x 495 mm, 08 pages
Marlie Mul, Bam Bam’ (bæm bæm), 2015
Edition of hand carved caveman clubs based on Marlie Mul’s large-scale installation ‘Ug’ (Ug), ‘Duh’ (dǝ), ‘Muh’ (mɜːɹ), ‘Bam Bam’ (bæm bæm)‘ that was a part of her solo exhibition Arbeidsvitaminen at Vilma Gold in 2015.
Materials: polyurethane, paper, sand, glue, varnish. Hand carved.
[Click on the image and browse with the arrows for more images]
Emil Michael Klein, untitled, BECKBOOKS, 2014
Silkscreen print on paper.
Alan Schmalz, NO APPY POLLY LOGGY, 2016
Impression sérigraphie sur papier.
Miriam Laura Leonardi, Tambour et ses baguettes, 2015
Artist edition, handmade, signed and numbered
Material: welded iron rods, red cord
Dimensions: drum 42 x 24 cm, sticks 30 cm
Eckhaus Latta, Vulnerability Beach Bag, Art Metropole, 2014
Jean-Michel Wicker, Untitled Freddy, 2012
Digital print on paper.
Produced by Kunsthalle Bern, 2012.
Comes with a certificate signed by the artist.
Jean-Michel Wicker, Untitled from Kant to cunt, 2012
Digital print on paper.
Produced by Kunsthalle Bern, 2012.
Comes with a certificate signed by the artist.
Alan Schmalz, Marbriers 4, 2013
Silkscreen on paper.
Signed and numbered!
Jean-Michel Wicker, ballabella1, 9783906011, 2011
Artist book by Jean-Michel Wicker, edited by Marietta Eugster and Andreas Koller.
Newspaper format, folded.
Jean-Michel Wicker, anti-plan hallucinogénique vu de la lune, Ballabella papers, 2012
Xeroxed drawing plus text on apricot paper, A1, folded 2 times.
Made on the occasion of a presentation at 98WEEKS Research/Project Space in Beirut, November 23, 2012, organized by Margarida Mendes.